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July 16, 2011 / mike cooper

Mike Cooper’s Phantom Islands by Tam Patton

“There are islands that have been believed to exist, islands which have appeared on maps and have even had expeditions mounted to locate or conquer them, yet they have still evaded our observation. Some are eventually established as imaginary; daemonic. Others are seen only on old maps and charts, disappearing in more modern depictions, dismissed as mistakes. Others still are unsuccessfully sought for decades, and dismissed as fanciful or mythic, and then embarrassingly found in plain view, under another, more familiar name. Mike Cooper is perhaps one of these islands. Born in England in 1942, his 40-plus years of constant re-invention, experimentation and quiet genius in a myriad of musical styles has evaded categorization, perhaps as a side-effect of having been almost completely ignored by history. Encompassing Blues, Folk, Roots music, Electronica, Jazz, Exotica / Lounge, Dance, Noise, Modern Composition or Improvisation (amongst others), Cooper’s expansive remit blasts orthodox categorization into the befuddled librarian’s realm where it belongs.”
‘The Limits of My Language are the Limits of My World’. Wittgenstein

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